You can see more images of this wall > HERE <






A groundbreaking new loudspeaker, less than 0.25mm thick, has been developed by University of Warwick engineers, it's flat, flexible, could be hung on a wall like a picture, and its particular method of sound generation could make public announcements in places like passenger terminals clearer, crisper, and easier to hear.
Lightweight and inexpensive to manufacture, the speakers are slim and flexible: they could be concealed inside ceiling tiles or car interiors, or printed with a design and hung on the wall like a picture.
MOS DEF "Supermagic" from nabil elderkin on Vimeo.


The project aims to explore the cooperation process of human & machine. The designer explains: I found some the relationship between human and machine are amazing and could be horrible (like this one that shows how we human invent machines then put human inside to it to manufacture goods), The final object - A machine is a miniature of what I understand through the process of research, and the aim of the machine is to let people have a chance to feel the condensed process of how we generate our self identity from external point of view as from the society, which is a big machine we all in.
I´ll kill her from Joerg Barton on Vimeo.

”Aside from use in family, stereo, or automobile hi-fi equipment, it can also be used in earphones or for industrial antinoise purposes,” says Johnsee Lee, president of Taiwan’s Industrial Technology Research Institute (ITRI), where the technology has been under development since 2006.
The device, named fleXpeaker, is basically a sandwich of paper and metal filled with an electroactive polymer that contracts and expands with an audio signal’s electric field.
”It’s soft [and can] easily fit in different curves,” says Ming-Daw Chen, division director of ITRI’s Electronics and Optoelectronics Research Laboratories. ”Therefore, the product customization can be done in diverse fields, such as art for public facilities, interior design,...costume accessories, and others.”

I have always been intrigued about engineering a soft prosthesis using my own skin, as a permanent modification of the body architecture. The assumption being that if the body was altered it might mean adjusting its awareness. Engineering an alternate anatomical architecture, one that also performs telematically. Certainly what becomes important now is not merely the body's identity, but its connectivity- not its mobility or location, but its interface. In these projects and performances, a prosthesis is not seen as a sign of lack but rather as a symptom of excess. As technology proliferates and microminiaturizes it becomes biocompatible in both scale and substance and is incorporated as a component of the body. These prosthetic attachments and implants are not simply replacements for a part of the body that has been traumatized or has been amputated. These are prosthetic objects that augment the body's architecture, engineering extended operational systems of bodies and bits of bodies, spatially separated but electronically connected.







Neurosonics Audiomedical Labs Inc. from Chris Cairns on Vimeo.












Video Games from MUSCLEBEAVER on Vimeo.






Everybody Feels The Same by Ofege from "The Last Of The Origins" LP EMI Nigeria 1974



